{"id":4585,"date":"2024-09-14T05:49:23","date_gmt":"2024-09-14T05:49:23","guid":{"rendered":"https:\/\/www.joe-rainey.com\/?p=4585"},"modified":"2024-09-15T04:45:52","modified_gmt":"2024-09-15T04:45:52","slug":"david-gilmour-luck-and-strange","status":"publish","type":"post","link":"https:\/\/www.joe-rainey.com\/es\/david-gilmour-luck-and-strange\/","title":{"rendered":"Rese\u00f1a: David Gilmour - Luck and Strange"},"content":{"rendered":"

Despu\u00e9s de 9 a\u00f1os desde el lanzamiento de su disco anterior, David Gilmour, el legendario guitarrista y cantante de Pink Floyd, nos deleita con su nuevo \u00e1lbum, titulado \"Luck and Strange\". Creo que muchos, alrededor del mundo, anticip\u00e1bamos con entusiasmo este lanzamiento desde su anuncio.<\/p>\n\n\n\n

La m\u00fasica del \u00e1lbum se sumerge en el sonido cl\u00e1sico de Floyd, m\u00e1s de lo que podr\u00eda haber imaginado, considerando el rumbo alterno que Gilmour tom\u00f3 con \u201cRattle That Lock,\u201d su disco previo. Es un retorno a su esencia.<\/p>\n\n\n\n

Esto es notorio desde el primer tema -que da nombre al disco- el cual, para hacerlo a\u00fan m\u00e1s floydiano, cuenta con la participaci\u00f3n p\u00f3stuma del propio tecladista de Pink Floyd, Richard Wright, mediante fragmentos de un jam con Wright, hace casi 20 a\u00f1os. Esta canci\u00f3n recuerda completamente a Floyd en su \u00faltimo per\u00edodo, algo que sin duda va a cautivar a los fan\u00e1ticos de la agrupaci\u00f3n.<\/p>\n\n\n\n

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Wright no es la \u00fanica figura importante en la vida personal de Gilmour que aparece en el disco. En muchos aspectos, \"Luck and Strange\" es un asunto familiar.<\/p>\n\n\n\n

La grabaci\u00f3n del bajo estuvo en su mayor parte a cargo de Guy Pratt, quien supli\u00f3 a Roger Waters en Pink Floyd, y ha acompa\u00f1ado a Gilmour desde entonces. Adem\u00e1s, la escritora Polly Samson, esposa de David Gilmour, escribi\u00f3 las letras, labor que ha realizado para todos los proyectos musicales de Gilmour, comenzando desde el \u00e1lbum de Pink Floyd, \"The Division Bell\".<\/p>\n\n\n\n

M\u00e1s notoriamente, se incluye en la voz a Romany Gilmour, su hija, en algunas canciones. Ciertamente, uno de los momentos destacados es \"Between Two Points\", con Romany como voz principal. Este tema casi me produce l\u00e1grimas desde su inicio por lo emotivo que me resulta. La voz de Romany es hermosa, as\u00ed como su ejecuci\u00f3n. La m\u00fasica es lenta, nost\u00e1lgica, intensa y completamente Floydiana.<\/p>\n\n\n\n

La letra de esta canci\u00f3n, una cavilaci\u00f3n realista de car\u00e1cter pesimista, nos invita a aceptar las limitaciones de nuestra existencia y nuestra percepci\u00f3n. Cuenta con algunas de las l\u00edneas m\u00e1s poderosas del disco:<\/p>\n\n\n\n

\"Just let them walk all over you. Laugh through the punches and the pain. Let the life-blood drain away from you. They're right, you're wrong.\"

[\"Solo d\u00e9jalos pasar sobre ti. R\u00edete de los golpes y el dolor. Deja que la sangre vital se drene de ti. Ellos tienen raz\u00f3n, t\u00fa est\u00e1s equivocado.\"]<\/em><\/p>\n\n\n\n

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David Gilmour, junto a Romany, su hija.<\/em><\/figcaption><\/figure>\n\n\n\n

Las letras del disco por lo general son bastante realistas, y expresan conclusiones que aluden a la limitaci\u00f3n del alcance de nuestra humanidad, la nostalgia por el paso del tiempo y nuestra mortalidad. Para hacer m\u00e1s clara esta tem\u00e1tica, el disco incluso contiene una corta pieza instrumental de menos de un minuto llamada \"Vita Brevis\", que se traduce del lat\u00edn a \u201cla vida es breve.\u201d<\/p>\n\n\n\n

Una instancia de esto se puede ver en la canci\u00f3n \"Sings\", que abre con la l\u00ednea, \u201cDarling turn back the clock. Give me time, make it stop.\" [\"Cari\u00f1o, retrocede el reloj. Dame tiempo, haz que se detenga.]\"<\/em><\/p>\n\n\n\n

Y es a\u00fan m\u00e1s evidente en la canci\u00f3n \u201cScattered\u201d, \u201dA man stands in a river, pushes against the stream. Time is a tide that disobeys, it disobeys me.\" [\"Un hombre se para en un r\u00edo, empuja contra la corriente. El tiempo es una marea que desobedece, me desobedece.\"]<\/em><\/p>\n\n\n\n

As\u00ed como en \u201cThe Piper\u2019s Call\u201d, \u00a0\"The promise of eternal youth. The spoils of fame, a carpe diem attitude.\" [\"La promesa de la juventud eterna. El bot\u00edn de la fama, una actitud de carpe diem.\"]<\/em><\/p>\n\n\n\n

Debo decir que no puedo evitar pensar que el t\u00edtulo y la letra de esta canci\u00f3n hacen referencia a otra figura familiar e importante para Gilmour: Syd Barrett, el guitarrista y cantante original de Pink Floyd, quien compuso y nombr\u00f3 su primer \u00e1lbum, \u201cThe Piper at the Gates of Dawn.\u201d<\/p>\n\n\n\n

\"The Piper\u2019s Call\" concluye con un interesante solo de guitarra con sonido de blues.<\/p>\n\n\n\n

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Y a prop\u00f3sito de los solos, una de las caracter\u00edsticas m\u00e1s distintivas del guitarrista, \u00bfsuenan a David Gilmour? Absolutamente, aunque a mi criterio Gilmour no alcanza las alturas majestuosas a las que sol\u00eda llegar sin dificultad en sus mejores a\u00f1os.<\/p>\n\n\n\n

Aun as\u00ed, su toque es inconfundible, y para los que hemos sido fan\u00e1ticos de Floyd y David Gilmour, escucharle tocar es como encontrarse con un sonido familiar y querido. Como una vuelta a casa. Y bueno, incluso un Gilmour fuera de forma es mejor que much\u00edsimos otros guitarristas.<\/a><\/p>\n\n\n\n

La voz de Gilmour, a sus 78 a\u00f1os, sigue sonando bastante bien. Aunque ya no sea tan din\u00e1mica como en otros tiempos, tiene ese conocido tono que siempre ser\u00e1 bienvenido.<\/p>\n\n\n\n

En el disco aparecen instrumentos que no son tan t\u00edpicos para Gilmour, tal como el arpa, notoria en \"Between Two Points,\" y \"Yes, I Have Ghosts\", o cuerdas, especialmente en \"Scattered\". Luego de esto, el t\u00edpico arsenal musical, rockero y floydiano, que podr\u00edamos esperar.<\/p>\n\n\n\n

\"Scattered\", la canci\u00f3n m\u00e1s larga del disco, con una duraci\u00f3n de 7 minutos y medio, es una lenta pieza atmosf\u00e9rica, con una \u00edntima ejecuci\u00f3n vocal de Gilmour. La canci\u00f3n concluye con un solo en guitarra ac\u00fastica, algo no tan usual para el guitarrista, que nos prepara para el verdadero solo final, ejecutado en su familiar Stratocaster.<\/p>\n\n\n\n

La \u00fanica canci\u00f3n que se desv\u00eda considerablemente del sonido de rock lento, floydiano y nost\u00e1lgico es \"Dark and Velvet Nights\", la cual exhibe un ritmo de rock-jazzy, pegajoso y vibrante, que me trae a la mente el sonido m\u00e1s acelerado y jazzoso del disco previo de Gilmour.<\/p>\n\n\n\n

El disco termina con \"Yes, I Have Ghosts\", una hermosa pieza en guitarra ac\u00fastica, acompa\u00f1ada de cuerdas y arpa, cantada por Gilmour junto a Romany. Contiene una de mis frases favoritas del disco, con la que muchos podremos identificarnos:<\/p>\n\n\n\n

\"Yes, I have ghosts, not all of them dead. Making dust of my dreams, spinning round and around, around in my head.\"

\n\n[\"S\u00ed, tengo fantasmas, no todos est\u00e1n muertos. Convirtiendo mis sue\u00f1os en polvo, girando y girando, dando vueltas en mi cabeza.\"]<\/em><\/p>\n\n\n\n

Gilmour confiesa que, a\u00fan siendo \u00e9l una aclamada, millonaria y legendaria estrella de rock, tambi\u00e9n tiene que lidiar con sus propios fantasmas. De nuevo aparece la tem\u00e1tica de la limitaci\u00f3n humana, algo universal.<\/p>\n\n\n\n

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Creo que con \"Luck and Strange\", Gilmour est\u00e1 viendo hacia el pasado, y haciendo una recopilaci\u00f3n de las vivencias y conclusiones de su vida, desde una perspectiva de la tercera edad, con la sabidur\u00eda que esto confiere por la acumulaci\u00f3n de tantas experiencias, pero tambi\u00e9n con la sensaci\u00f3n de enfrentarse con la realidad de la inevitable y cada vez m\u00e1s cercana despedida de este mundo.<\/p>\n\n\n\n

Es muy significativo haber incluido tantas figuras importantes en su vida, desde Richard Wright, su propia familia, hasta posiblemente Syd Barrett, haciendo de este disco algo sumamente personal.<\/p>\n\n\n\n

Y solo podemos especular cu\u00e1ntas referencias personales habr\u00e1 en las letras al mism\u00edsimo Roger Waters. Esto es factible, considerando no solo la notoria y p\u00fablica mala relaci\u00f3n que Gilmour y Waters han mantenido desde que el bajista abandon\u00f3 a Pink Floyd, sino que encima de todo, Gilmour decidi\u00f3 lanzar \"Luck and Strange\" el 6 de septiembre, la fecha del cumplea\u00f1os de Waters. Esto definitivamente no fue una elecci\u00f3n al azar. Debe haber un mensaje ah\u00ed para el viejo Roger.<\/p>\n\n\n\n

Como dato adicional, la versi\u00f3n del disco para plataformas en streaming incluye, como pista extra, el jam instrumental de Gilmour y su banda, incluyendo a Richard Wright, que fue la base para la canci\u00f3n \"Luck and Strange\". Un momento grato para cualquier fan de Floyd, as\u00ed como para quien quiera escarbar m\u00e1s profundamente en el \u00e1lbum.<\/p>\n\n\n\n

\"Luck and Strange\" es un \u00e1lbum que recomiendo a todos los aficionados al rock lento con un sonido profundo y nost\u00e1lgico. M\u00e1s que nada, me parece imperdible para los devotos de Pink Floyd y la obra en solitario de David Gilmour, ofreciendo una interpretaci\u00f3n aut\u00e9ntica de ese sonido que tanto atesoramos. Ning\u00fan oyente quedar\u00e1 insatisfecho; este \u00e1lbum es una continuaci\u00f3n digna de su legado musical.<\/p>","protected":false},"excerpt":{"rendered":"

After 9 years since his last album release, David Gilmour, the legendary guitarist and vocalist of Pink Floyd, delights us with his new album, titled “Luck and Strange”. I believe many around the world were eagerly anticipating this release since its announcement. The album’s music dives deep into the classic Floyd sound, more than I […]<\/p>\n","protected":false},"author":1,"featured_media":4595,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[51],"tags":[],"class_list":["post-4585","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-reviews"],"yoast_head":"\nReview: David Gilmour \u2013 Luck and Strange - Joe Rainey<\/title>\n<meta name=\"description\" content=\"Dive into my review of David Gilmour's "Luck and Strange," exploring its deep Floydian roots and emotional depth. 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