{"id":4619,"date":"2024-09-21T20:38:21","date_gmt":"2024-09-21T20:38:21","guid":{"rendered":"https:\/\/www.joe-rainey.com\/?p=4619"},"modified":"2024-09-22T19:45:00","modified_gmt":"2024-09-22T19:45:00","slug":"jordan-rudess-permission-to-fly","status":"publish","type":"post","link":"https:\/\/www.joe-rainey.com\/es\/jordan-rudess-permission-to-fly\/","title":{"rendered":"Rese\u00f1a: Jordan Rudess - Permission to Fly"},"content":{"rendered":"

Jordan Rudess, principalmente conocido por ser el tecladista de la banda de metal progresivo Dream Theater, es indiscutiblemente uno de los mejores y m\u00e1s virtuosos tecladistas en todo el mundo. Acaba de lanzar su nuevo \u00e1lbum como solista, titulado \u201cPermission to Fly.\u201d<\/p>\n\n\n\n

El disco, una exploraci\u00f3n de la mente musical de Jordan Rudess, tiene 2 aspectos que resaltan: por un lado, en esencia, lo que podr\u00edamos esperar de Rudess, desde hermosos fragmentos en piano hasta interminables partes instrumentales compuestas de solos de diversos sonidos de teclados, especialmente sintetizadores, que muchas veces parecen piruetas altamente t\u00e9cnicas ejecutadas a la velocidad de la luz. Todo esto sobre acompa\u00f1amientos musicales en tiempos complejos y poco convencionales.<\/p>\n\n\n\n

Pero hay otro aspecto importante. Las canciones contienen la voz de un cantante ingl\u00e9s, con el nombre de Joe Payne, quien suele aparecer s\u00fabitamente entre el resto de las partes instrumentales, haciendo temporalmente a un lado la magia t\u00e9cnica del tecladista.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Debo anticipar mi opini\u00f3n sobre Payne: quiz\u00e1s su ejecuci\u00f3n vocal pueda resultar del gusto de algunos, pero no es para m\u00ed. No es un mal cantante, pero a mi criterio suena un poco amateur. Quiz\u00e1s tampoco percibo que me agrade mucho personalmente. Creo que su presencia trae este disco abajo, y es la raz\u00f3n principal por la que me caus\u00f3 cierto tedio escuchar el \u00e1lbum varias veces para poder realizar esta rese\u00f1a. Sin Payne, o con alguien m\u00e1s, quiz\u00e1s \u201cPermission to Fly,\u201d podr\u00eda realmente haber desplegado sus alas.<\/p>\n\n\n\n

Agregando un poco m\u00e1s de contexto: tal como Rudess indic\u00f3 en una entrevista,<\/a> el disco fue realizado de una manera relativamente inusual, pero bastante moderna: b\u00e1sicamente Rudess compuso por su cuenta el total de la m\u00fasica de todos los instrumentos del disco, incluyendo las melod\u00edas vocales, y solicit\u00f3 a algunos m\u00fasicos de estudio ubicados en otros pa\u00edses, (incluyendo adem\u00e1s de Payne, un baterista y un par de guitarristas,) que grabaran sus partes con sus propios instrumentos. Luego Rudess uni\u00f3 todas estas partes para darle la forma final al disco. Las letras fueron escritas por Ariana Rudess, hija del tecladista.<\/p>\n\n\n\n

La bater\u00eda y las guitarras quedaron bastante bien. Creo que solo el rol de Payne en la voz pudo haber estado mejor.<\/p>\n\n\n\n

Este sistema de grabaci\u00f3n pudo haber contribuido, en parte, a otro aspecto que me resulta notorio del disco: \u201cPermission to Fly\u201d me transmite una sensaci\u00f3n de desconexi\u00f3n entre cada canci\u00f3n, e incluso entre cada parte de la misma pieza.<\/p>\n\n\n\n

Esto se nota, primero que todo, en las prolongadas partes de teclados de Rudess, ya que las canciones son generalmente bastante largas, y Rudess agrega parte tras parte instrumental, como si fuera un flujo de consciencia de progresivos fragmentos musicales que se le fueron ocurriendo en tiempo real en la soledad de su estudio de grabaci\u00f3n personal.<\/p>\n\n\n\n

Si bien no resulta intuitivo su sentido de unidad, al escucharlas repetidas veces la complejidad de estas diversas partes se va comprendiendo mejor. No obstante, siempre me causan cierta desorientaci\u00f3n. Sin sorpresa, estas partes instrumentales recuerdan el sonido t\u00edpico de las contribuciones de Rudess en Dream Theater y Liquid Tension Experiment, y quien disfrute de esto va a encontrar aqu\u00ed de sobra material de su agrado.<\/p>\n\n\n\n

Pero, por otro lado, contribuye tambi\u00e9n con el sentido de desconexi\u00f3n general, el hecho de que las partes con las apariciones vocales usualmente parecieran surgir de la nada, cortando repentinamente el flujo de la intensidad que llevaba Rudess en las partes instrumentales. Estas partes vocales adem\u00e1s parecieran muchas veces cambiar por completo el ambiente que llevaba la canci\u00f3n, lo cual crea un considerable contraste.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Aqu\u00ed el disco nos puede dar una idea sobre las tendencias naturales de Rudess y su rol en sus otras bandas, como Dream Theater. No es lo mismo cuando Rudess agrega partes de teclado sobre una canci\u00f3n con una estructura definida y limitada por los dem\u00e1s miembros de la banda, que cuando el tecladista da rienda suelta, sin ninguna limitante, a su propia imaginaci\u00f3n, lo cual puede resultar en algo mucho m\u00e1s abstracto, como podemos apreciar en \u201cPermission to Fly\u201d.<\/p>\n\n\n\n

A\u00fan as\u00ed, las partes instrumentales del disco dan lo suficiente para maravillarse una y otra vez, y mantener al oyente enganchado por un per\u00edodo prolongado. Y debo agregar que me encantar\u00eda poder escuchar una versi\u00f3n completamente instrumental de \u201cPermission to Fly.\u201d En su versi\u00f3n actual no me veo revisitando este disco en ning\u00fan momento en el futuro, debido mi disgusto personal con el vocalista.<\/p>\n\n\n\n

Por \u00faltimo, los fan\u00e1ticos de Dream Theater y Liquid Tension Experiment deben saber que ciertamente no hay nada nuevo en las partes instrumentales que no hayan escuchado antes, sino m\u00e1s bien una versi\u00f3n expandida de las contribuciones de Rudess a sus otras bandas.<\/p>\n\n\n\n

Cualquier admirador de Rudess que decida darle una oportunidad a \u201cPermission to Fly\u201d, y descubra que la voz y la interpretaci\u00f3n del vocalista son de su agrado, seguramente disfrutar\u00e1 de este disco. Y aunque no me parece un disco esencial, podr\u00eda valer la pena para todo fan\u00e1tico del metal progresivo darle unas cuantas o\u00eddas a \u201cPermission to Fly,\u201d simplemente para dejarse sorprender y fascinar por la imaginaci\u00f3n musical y la habilidad t\u00e9cnica de Jordan Rudess.<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Jordan Rudess, primarily known as the keyboardist for Dream Theater, is undoubtedly one of the best keyboard players worldwide. He has just released his 21st solo album, titled “Permission to Fly.” The album, an exploration of Jordan Rudess’ musical mind, has two standout aspects: on one hand, in essence, what we might expect from Rudess, […]<\/p>\n","protected":false},"author":1,"featured_media":4622,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[51],"tags":[],"class_list":["post-4619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-reviews"],"yoast_head":"\nReview: Jordan Rudess - Permission to Fly - Joe Rainey<\/title>\n<meta name=\"description\" content=\"Review of Jordan Rudess' 'Permission to Fly': Complex compositions, progressive sounds, and a divisive vocal collaboration.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.joe-rainey.com\/es\/jordan-rudess-permission-to-fly\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Jordan Rudess - 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