{"id":4636,"date":"2024-10-04T15:37:01","date_gmt":"2024-10-04T15:37:01","guid":{"rendered":"https:\/\/www.joe-rainey.com\/?p=4636"},"modified":"2024-10-10T08:49:41","modified_gmt":"2024-10-10T08:49:41","slug":"nightwish-yesterwynde","status":"publish","type":"post","link":"https:\/\/www.joe-rainey.com\/es\/nightwish-yesterwynde\/","title":{"rendered":"Rese\u00f1a: Nightwish \u2013 Yesterwynde"},"content":{"rendered":"

La banda finlandesa de metal sinf\u00f3nico, Nightwish, nos deleita con su nuevo disco, Yesterwynde, el tercero con la actual cantante, Floor Jansen.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

El \u00e1lbum abre con el tema que le da su nombre. Nos recibe el sonido de un viejo reproductor de pel\u00edculas, que anuncia la intenci\u00f3n: el disco probablemente est\u00e9 pensado para ser comprendido como una pel\u00edcula. Es una corta pieza que pronto presenta un coro de voces femeninas con sonido clerical, que nos introduce inmediatamente en el universo de Nightwish, seguido por una secuencia en guitarra ac\u00fastica arpegiada, acompa\u00f1ada de flauta, sobre las que se extiende de forma sedosa la hermosa voz de Floor Jansen. Este tema sirve puramente como una introducci\u00f3n al \u00e1lbum.<\/p>\n\n\n\n

Sobre el t\u00edtulo, \u201cYesterwynde\u201d, es una palabra inventada por la banda, que \u201cdescribe un sentimiento que no se puede encontrar en ning\u00fan idioma humano. Por eso tuvimos que inventar una palabra completamente nueva. El \u00e1lbum est\u00e1 destinado a abrir ese sentimiento al oyente.\"<\/em><\/p>\n\n\n\n

El segundo tema, \u201cAn Ocean of Strange Islands\u201d, es la canci\u00f3n m\u00e1s larga de la colecci\u00f3n, con una duraci\u00f3n de nueve minutos y medio. Un asalto a los sentidos, que lleva r\u00e1pidamente a la carga todo lo que es Nightwish: bomb\u00e1stico metal sinf\u00f3nico con intricados y complejos arreglos; letras po\u00e9ticas, fant\u00e1sticas, filos\u00f3ficas y oscuras, con referencias al oc\u00e9ano, y con rememorar el pasado; y por supuesto, la gloriosa imaginaci\u00f3n musical del compositor principal de la banda, el maestro Tuomas Holopainen, que da rienda suelta a su dominio de la orquesta. Esta canci\u00f3n deleitar\u00e1 a todos los fan\u00e1ticos de la banda y es uno de los puntos m\u00e1s altos del disco.<\/p>\n\n\n\n

La canci\u00f3n cuenta con una parte instrumental extendida, donde la orquesta y los coros, (grabados en el legendario estudio Abbey Road,) se lucen como nunca. He de decir que me parece que Yesterwynde es probablemente el disco con la m\u00fasica m\u00e1s consistentemente progresiva y compleja que la banda haya creado jam\u00e1s.<\/p>\n\n\n\n

\u201cPerfume of the Timeless\u201d, otra canci\u00f3n especialmente larga, con 8 minutos de duraci\u00f3n, abre con una percusi\u00f3n orquestal, donde la atm\u00f3sfera va creciendo poco a poco, hasta desembocar en coros femeninos, seguidos por un sonido t\u00edpico de Nightwish, con malvadas cuerdas orquestales sobre un ritmo metalero. Hermoso.<\/p>\n\n\n\n

La letra de la canci\u00f3n, usual en Nightwish en la era de Floor Jansen, trata sobre la evoluci\u00f3n humana, y c\u00f3mo nuestra existencia es el resultado de una interminable cadena de las vidas de nuestros antepasados.<\/p>\n\n\n\n

El coro es \"We are their heir, dust on their palm. We are because of a million loves. We're the perfume of the timeless, last sighs on a deathbed.\"

[\"Somos sus herederos, polvo en su palma. Somos debido a un mill\u00f3n de amores. Somos el perfume de lo eterno, \u00faltimos suspiros en un lecho de muerte.\"]<\/em><\/p>\n\n\n\n

Holopainen cuenta al respecto que \u201ccada uno de nosotros es parte de una cadena ininterrumpida que se remonta a miles de millones de a\u00f1os. Si incluso uno solo de tus ancestros hubiera muerto demasiado joven \u2013 atacado por un oso cavernario, por ejemplo \u2013 durante este incre\u00edblemente largo per\u00edodo de tiempo, nunca habr\u00edas nacido. En otras palabras: \u00a1nuestra existencia es un privilegio inconcebible!\"<\/em><\/p>\n\n\n\n

En esencia, somos un eslab\u00f3n m\u00e1s que teje la cadena humana. Esta tem\u00e1tica aparece por todo el disco.<\/p>\n\n\n\n

La guitarra ac\u00fastica arpegiada, introducida desde el inicio del disco, hace una reaparici\u00f3n en \u201cSway\u201d, una corta, suave y hermosa pieza, donde Floor y el multi-instrumentista Troy Donockley hacen un dueto vocal. Esta canci\u00f3n contrasta de forma muy agradable con el resto del sonido metalero del disco.<\/p>\n\n\n\n

Me resulta interesante que en un par de canciones, \u201cThe Day Of\u2026\u201d y \u201cThe Children of \u2018Ata\u201d, hay algunos sonidos electr\u00f3nicos de sintetizadores, incluso con auto-arpegiador, algo que no esperaba escuchar en un disco de Nightwish, pero que me parece que combina bien con el resto de los elementos orquestales y metaleros.<\/p>\n\n\n\n

He de mencionar que la letra de \u201cThe Children of \u2018Ata\u201d est\u00e1 basada en la historia de los n\u00e1ufragos tonganos, <\/a>un grupo de ni\u00f1os de Tonga que naufragaron en la isla desolada de \u2018Ata y sobrevivieron por su cuenta durante 15 meses. La canci\u00f3n contiene adem\u00e1s cantantes nativos de Tonga. Es una canci\u00f3n excelente.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u201cHiraeth\u201d vuelve a presentar la guitarra ac\u00fastica arpegiada, por \u00faltima vez, sobre la que Floor y Troy hacen otro dueto, cantando una letra nost\u00e1lgica, seguido por una parte rockera liderada por gaita irlandesa, que presenta el sonido folkl\u00f3rico de m\u00fasica celta que tanto le encanta utilizar a Nightwish.<\/p>\n\n\n\n

El disco termina con \u201cLanternlight\u201d, una suave balada con sonido cl\u00e1sico y un triste sentimiento. Basada en piano, y acompa\u00f1ada de cuerdas orquestales, la voz de Floor brilla como su estrella principal. La canci\u00f3n concluye con el mismo sonido del viejo reproductor de pel\u00edculas que abri\u00f3 el disco, esta vez apag\u00e1ndose, cerrando as\u00ed el ciclo y dando fin a la pel\u00edcula titulada \u201cYesterwynde\u201d, por as\u00ed decirlo.<\/p>\n\n\n\n

Como nota final, este es el primer disco realizado sin la participaci\u00f3n de Marko Hietala, quien fue bajista y voz secundaria de Nightwish, y decidi\u00f3 abandonar la banda despu\u00e9s de casi 20 a\u00f1os. <\/p>\n\n\n\n

Adicionalmente, como ya es tradici\u00f3n para Nightwish, el disco incluye una versi\u00f3n extra de las canciones, que presenta solamente el acompa\u00f1amiento orquestal. Es un excelente bonus para todos los fan\u00e1ticos de la banda.<\/p>\n\n\n\n

Considero que \u201cYesterwynde\u201d es el disco de Nightwish que hab\u00eda estado esperando escuchar con Floor Jansen. Todas las canciones son excelentes, y perfectamente compuestas y ejecutadas.<\/p>\n\n\n\n

De hecho, Tuomas Holopainen afirma nunca haber trabajado tan minuciosa y obsesivamente <\/a>en ninguno de los discos anteriores del grupo: \"El nuevo \u00e1lbum fue trabajado intensamente durante 3 a\u00f1os y medio. Mi ambici\u00f3n y devoci\u00f3n realmente se dispararon, y simplemente no pod\u00eda soltar el proceso creativo, ni quer\u00eda hacerlo. A lo largo del camino, 'Yesterwynde' se convirti\u00f3 tanto en una obsesi\u00f3n emocionante como en un refugio reconfortante para m\u00ed. Todos los aspectos de la creaci\u00f3n \u2013 composiciones, letras, arreglos, portada, videos, mezcla, y dem\u00e1s \u2013 recibieron m\u00e1s atenci\u00f3n que nunca antes.\"<\/em><\/p>\n\n\n\n

Esto se nota de sobra. Creo que \"Yesterwynde\" cuenta con la colecci\u00f3n de canciones m\u00e1s detalladas y complejas que la banda haya producido alguna vez.<\/p>\n\n\n\n

Para m\u00ed es un disfrute enorme escuchar \u201cYesterwynde\u201d, y dejarme fascinar por las composiciones del maestro Holopainen, algo que anticipo seguir haciendo por mucho tiempo. No dudo en recomendar el disco a todos los fan\u00e1ticos del metal sinf\u00f3nico o progresivo, as\u00ed como a todos los amantes de la m\u00fasica compleja y altamente elaborada.<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

The Finnish symphonic metal band, Nightwish, delights us with their new album, “Yesterwynde,” the third with current vocalist, Floor Jansen. The album opens with the title track. We are greeted by the sound of an old film projector, announcing the album’s intent: it is probably meant to be understood as a film. It’s a short […]<\/p>\n","protected":false},"author":1,"featured_media":4639,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[51],"tags":[],"class_list":["post-4636","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-reviews"],"yoast_head":"\nReview: Nightwish - Yesterwynde - Joe Rainey<\/title>\n<meta name=\"description\" content=\"Discover the magic of Nightwish's Yesterwynde - a symphonic metal journey through elaborate tracks & poetic depth. 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